![]() The marketplace garnered a strong following and contributed to the resurgence of interest in vinyl records and other physical music formats during its short tenure. In addition to facilitating transactions, the platform also offered a wealth of information and resources about collecting and caring for vinyl records. ![]() Reverb LP quickly gained popularity among vinyl enthusiasts for its user-friendly interface, vast selection of records, and the ability to connect buyers and sellers from around the world. Launched in 2017 by, a popular platform for musicians to trade musical instruments and gear, Reverb LP aimed to bring the same sense of community and ease of transactions to the world of vinyl collectors. Reverb LP was an online marketplace dedicated to buying and selling new and used vinyl records, CDs, cassettes, and other physical music formats. Perhaps the "numbers" were disappointing for the new owners (Etsy) of Reverb and decided not to continue running Reverb LP. Reverb LP closed after three years of successful operation while showing signs that it would become a thriving marketplace. The original master had been erased, or got misplaced or lost.To be honest, when I heard about Reverb LP's closing, I was surprised. Incidently, the 4-track master for "See Emily Play" has never been mixed into true stereo. I'll have to try and pick up an original 45 to be certain I'm thinking the UK 7" 45rpm contains the dry vocal, unlike the reverb-rich vocal found on the US album. It was not intended for the album in the UK, though it did make it on the US release. "See Emily Play" was recorded at Sound Techniques studio, presumably after the album recording wrapped up at EMI. It is a fact that they recorded "See Emily Play" as their second single, and not at EMI (Abbey Road) like the rest of the album was. So the answer to your question could be simply that those cassette/CD comps used the reverb-free mix from the UK single.Īnd the Pink Floyd song more-than-likely appears as it's single "radio-version" on all the known compilations that I am aware of. Interesting about the differences in the UK version. Also the UK version doesn't have a fadeout in the end. Here's a link to a Flickr! album I made with tracks of old and new (that I made) for comparison:Īctually from 1958, the US single version has the reverb but the UK single doesn't. ![]() These songs are the reason why I seek out the earliest pressing I can find of songs / albums from I at first thought it may beĪn alternate recording of it, but it's not. The CD version, I was stunned by the rich reverb that is on the LP. Of the LP "The Piper At The Gates Of Dawn" a few years ago. ![]() I only knew this song by the Pink Floyd compilation CD "Works" until I bought an early US pressing Fast-forward to the late 1980's and early 1990's and I'm buying theseĬompilation tapes & CD's with that song on them, as well as hearing it on the radio, and there is Pronounced echo that I remember hearing on my parent's '50's compilation record when I was aĬhild in the 1970's. The deep voice that says "I'd like to help you son, but you're too young to vote." had a "Summertime Blues" - Eddie Cochran (1956) I ask, as I have noticed two instances where there originally was reverb, but on much later I had read somewhere, at sometime, that reverb dissipates. Tape? Does it maybe disappear as a result of digitally remastering? Is it possible that reverb fades with age or use, or disappears totally, from old analog audio A question for those in-the-know of the technical aspects of recording:
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